Search
Ideas | Images Live Here

 

 

Powered by Squarespace
"Like" Facebook status $16 1919 419 Advance Fee Fraud 72 virgins accuracy afterlife Aki Kaurismäki Alberta Alcatraz Alchemist Alchemy algorithm all-knowing Andrew Keeling Andrew Rawlinson apparatchik Arab Spring archive art art criticism art theory Assam Assiniboine River atheism ATLAS auction baby names Battle of Marengo BB shot Ben Gurion betrayal Beverly Rowbotham Bible bicephalic Bing blues Bollingen Bolsheviks Boxing Day Boxing Week Boxing Year brain Buddhism bullshit bureaucrat Cairo California Guitar Trio Canada Carl Matheson Carlos Fuentes centre of being CERN CG Jung Chagas Disease Charles Frederick Gray Charles Hartshorne Cheerios chimpanzee China Christmas Christopher Hitchens church CMS cocking a snook Conrad Black conscience Constancia core organic search creativity criminal code critical realism crowds and power crowdsourcing crucifixion cruelty Danielle Smith David Roberts death degrangement democracy dentist died Drama Centre driftwood Eden Eduard Munch eduskunta Egypt election Elemental Particles elias canetti eon Epistemology era essay essayist existentialism F-35 Facebook fake news fakhir falsehoods filter bubble finland First International Conference on Multiple Partonic Interactions at LHC Franz Kafka Free Press Freedom of Association Friends Friendship Frippertronics fun G.I. Gurdjieff gamma waves gangs drug violence gender equality general strike Gethsemane Global Sunday Globe Mail God Golgotha Google Gospel of Pseudo-Matthew government Guantanamo happiness Harry G Frankfurt Hartshorne Heritage Canada Higgs Boson hit hitting horse diaper Hosni Mubarak hunchback Huxingting Tea House hyper irony ideas immortality Income Tax innocence of muslims Ipsos Reid J.G. Bennett Jane Goodall Institute jean valjean Jesus Christ Jiffy journalism Judas Iscariot juice Justin Trudeau keisaku stick King Crimson Kingston kiss of peace La vie de Boheme Large Hadron Collider Lavengro left-handed leone vivante l'oiel de Gabes love Lucian Freud Machiavelli manger Manitoba Mark Stobbe market Matthieu Ricard maudlin Maxwell's Sorting Demon metaphor Mexico millisecond mindfulness mokhtar belmokhtar monk murder Myanmar Nanosecond narcissistic personality disorder nativity Natural Person neuroscience New York Times newspaper circulation nihilism no loitering objet trouve ontological argument ontology opinion Osama bin Laden ouagadougou P.D. Ouspensky pain painter painting paintings panpsychism Paolo Gabriele Pentonville Peter Higgs Peter Miller phenomenalism philosophy Picosecond Pierce Brosnan Planck Time Unit Plato PMO post-truth Post-Truth.News Prime Ministers Office Prismatic public execution Public Safety pudding palace qatar raccoon recipes Rasputin repeating names Robert Fripp Rodeo roses Saint Nick Samuel Beckett Santa Claus satori Savoy scream search engine optimization Second Law of Thermodynamics security SEO Sigma 5 sirhan sirhan skateboard sorrow sotheby Soundscapes space flight Spinoza Standard Model Physics Statistics Canada Stephen Cave stolen Svedberg Syria T.S. Elliot Tahrir Square television The Coon Hunters Handbook The God Particle The Simpsons The Wine of Silence The World's Happiest Man top secret trial trout Trump Trump.Rodeo Truth in Advertising tyranny University of Manitoba Via Dolorosa Vic Toews victims violence Viva Mi Fama voters wabi-sabi Whole Grains Wildrose William Klassen Winnipeg Wolseley women Wormwood Scrubs writer writing Yoctosecond Zen

 

     

tumblr visit counter
 

Entries in creativity (1)

Monday
May282012

The Sauce Was Excellent

A Divided Condition (11 x 14 watercolours & India ink).

The hope is that the words and pigments complement each other sufficiently that the sum transcends the bits.

In this light, permit us to say a few words about A Divided Condition and to offer gratitude to all who support us in this doubly Bohemian life of starving brushman and blogista.

As the psychiatrist Carl Jung observed: “Every creative person is a duality or a synthesis of contradictory qualities.” And so it’s only slightly worrisome that Jung then proceeds to discuss bicephalism and schizophrenia. Because the list of the famous (no comparisons here) who have both painted and written creatively includes Leonardo, William Blake, Michelangelo, Dante Gabriel Rossetti, Van Gogh, Henry Miller etc etc.

There likely are others, you tell me. But the upshot is that this writing and painting thing is a far more pervasive affliction that we imagined.

Among our pals

Not all wrote simultaneously with their brushwork. Miller for example, would paint his way through writer’s block. And almost none wrote specifically about the painting process. But there can be little doubt all these artists were compelled to create in both words and pigments. For Van Gogh, his enthusiasm for words spilled into his art. In one letter he remarks, "Books and reality and art are the same kind of thing to me." Elsewhere he revealed his appreciation of writers and writing: "There are so many people, especially among our pals, who imagine that words are nothing. On the contrary, don't you think, it's as interesting and as difficult to say a thing well as to paint things?"

Marginalia

While the inspirational source for painting and for writing is the same, each practice requires a distinct process. Personally, the act of writing is usually more an engagement while making a painting is more a disengagement. This is not always so: sometimes the words just flow and they speak for themselves and sometimes we paint very consciously, where, hands willing, every stroke brings us closer to the intended conclusion. But generally the former process is at play and neither feels like work.

Now we mentioned Carl Jung and we confess there is marginalia in our copy of Jung's book The Spirit in Man, Art, and Literature. This is Volume 15 of the Collected Works from the Bollingen Series XX, Princeton. To some this will seem extremely nerdy but I read the entire 20 volumes of Jung's Collected Works after the set was gratefully received as a graduation gift from my parents some 35 years ago.

Situated behind consciousness

The Collected Works comprise several thousand pages and as far as I can tell, the only mark I left in any of the margins was in that Volume 15, where Jung conducts a rigorous psychoanalysis of the painter Pablo Picasso. My note is in green pencil and it says simply: "viz. therapeutic method" and highlights a paragraph where Jung, commenting in 1932 when Pablo was a shooting star, says that "his works show a growing tendency to withdraw from the empirical objects, and an increase in those elements which do not correspond to any outer experience but come from an 'inside' situated behind consciousness."

Earlier, Jung says: "The essence of a work of art is not to be found in the personal idiosyncrasies that creep into it – indeed, the more there are of them, the less it is a work of art." In other words, it’s always a good idea if the artist gets out of his own way. This is easier if one is engaged in poetic writing rather than narrative writing. And it is easier when one is engaged in abstract painting rather than hyper-realism. Which brings me to A Divided Condition which, although it appears to be random, was executed with an attitude of engagement and the result was precisely as intended. So I am happy with it, though you may conclude that I should stick to writing, or better still, total silence.

A two-headed trout

Today, I notice that when I take a pen in each hand and close my eyes I write mirror images of my signature. Normally I am left-handed, so I push a pen from left to right across the page. But with two pens, if I close my eyes, I write or draw mirror images, characters, sentences, letters or signatures from the centre out or from the margins to the centre in quite perfect symmetry.

It's a bit like a two-headed trout, where, magically, the halves conspire to make a transcendent greater whole. In this state it is as if the writer and the painter are harmoniously connected and at one. Skeptical? Take 2 minutes, 46 seconds to view this wonderful clip from La Vie de Bohème, 1992, by the Finnish film-maker Aki Kaurismäki.